Examines the art and architecture of the Mediterranean basin, including Western Christian, Byzantine, Islamic, and Jewish art, from the first century through the fifteenth. Considers their points of convergence as well as their distinct differences and priorities. Organized around key works of scholarship that have defined the emerging field of Mediterranean studies, along with primary sources. Considers works in all media, from monumental arts to textiles, metalwork, manuscripts, and ceramics. Also makes use of local museum holdings.